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Piako River water & mud

  • 11 March 2025

Collecting & other

Water Quality in Rivers

  • 3 March 2025

Waitakaruru River, Piako River, Waihou River

Studio work Feb/Mar 2025

  • 3 March 2025

Using fertiliser and bleach.

Irritable in Aotearoa; Darwin & the Barbarians

  • 25 February 2025

The New Zealand that Charles Darwin dismissed as “the land of cannibalism and all atrocity” after his short visit in 1835, later featured prominently in his writings on evolution.

Landscape and Memory

  • 24 February 2025

by Simon Schama. In particular, Schama's comments on Anselm Kiefer.

Artist: Judy Darragh

  • 17 February 2025

Forest of Dreams @ Two Rooms Gallery

Quick notes on Philosophers, thinkers

  • 17 February 2025

Brief notes.

Family related photos

  • 16 February 2025

Sourced from family.

Historical photos of Hauraki Plains

  • 15 February 2025

Sourced online from Auckland Library, Papers Past...

Research proposal

  • 6 February 2025

Gone is the forest's labyrinth of life.

Depicting devastation

  • 27 January 2025

Articles in Art New Zealand Summer 2024

Studio - Trying size and medium

  • 24 January 2025

Going forward.

Ngāti Pāoa history

  • 6 January 2025

One of the iwi associated with the Hauraki Plains, and its food basket.

Hope

  • 6 January 2025

Readings around the environment.

A MUDDY LAND

  • 18 November 2024

End-of-year exhibition Nov 2024

Artist: Michael Shepherd

  • 15 November 2024

The Disasters of War (Deaf like Goya) @ Two Rooms

Using history & colour to point...

  • 1 November 2024

Artists using bright colour and/or historical imagery

Studio Work Sep/Oct

  • 21 October 2024

Paper studies

Key Practice Questions

  • 17 October 2024

Critical Contexts Within Research

Artist: Giulia Andreani

  • 29 September 2024

Sent by my student from Venice Biennale

Readings on Wetlands & Hauraki

  • 27 September 2024

Articles found online.

Artist: Holly Walker

  • 26 September 2024

Recommended artist.

Seminar Four - September 2024

  • 20 September 2024

Meaning & Value

Hauraki Plains Story

  • 15 September 2024

Collection of stories edited by Rufus E. Tye

Studio Work Aug/Sep 2024

  • 9 September 2024

More unsettled...

Constructing Our Past

  • 4 September 2024

William Strutt's War Dance at Taranaki

Practice Statement

  • 19 August 2024

Unsettled

The Forgotten Coast

  • 12 August 2024

by Richard Shaw

Studio work August 2024

  • 7 August 2024

Butter paper/Kahikatea

White-Saviour-Industrial-Complex

  • 5 August 2024

Deep dive: Artist lecture with Andy Butler @ Artspace Aotearoa

Studio work July 2024

  • 20 July 2024

Following July seminar

Seminar Three - July 2024

  • 15 July 2024

Making Public

Endeavour by Anton Maurer

  • 14 July 2024

visualising the impacts of capitalism and colonisation on Aotearoa

Studio work July 2024

  • 8 July 2024

More work in A2 and A3.

DEMO exhibition - Whenua, Wai, Rangi

  • 1 July 2024

Matariki 2024

Studio work June 2024

  • 17 June 2024

Going larger.

A songless land

  • 30 May 2024

‘Te Whetu plains’, written around 1874, Edward Tregear

Winter Sweet

  • 29 May 2024

Dr Susan Ballard writing on Joyce Campbell and her exhibition LA Botanical.

Studio work May 2024

  • 27 May 2024

Trial and error

Gallery Walk

  • 20 May 2024

K'Rd and Putuki St galleries

Artist: Brett Graham - Wasteland

  • 16 May 2024

Wastelands continues themes from Brett’s recent exhibition Tai Moana Tai Tangata ....

Art Works: Place

  • 13 May 2024

by Tacita Dean and Jeremy Millar

Studio work April/May 2024

  • 12 May 2024

A lament.

Artist: Yvan Salomone

  • 6 May 2024

Watercolour, place.

Artist: Joyce Campbell

  • 2 May 2024

We don’t live in an untroubled landscape..

Seminar Two - April 2024

  • 23 April 2024

Concepts & Constructs

Henry Moore Back to a Land

  • 7 April 2024

Yorkshire Sculpture Park - Helen Pheby

Reading to come

  • 30 March 2024

A list of books, articles to read, or read again.

Geoff Park 'Ngā Uruora - Groves of Life - ecology & history in a New Zealand landscape'

  • 30 March 2024

Chapter One 'The Immense Trees of Ooahaouragee'

Studio Work March 2024

  • 30 March 2024

Exploring depicting the changes to the land

Field Trip March 2024

  • 30 March 2024

Waitakaruru Stream

Shifting Grounds

  • 19 March 2024

Deep histories of Tāmaki Makaurau Auckland by Lucy Macintosh

Moving forward

  • 15 March 2024

Freedom to explore

NATURAL VALUES

  • 12 March 2024

How much load can natural systems accommodate without breaking?

Studio work

  • 11 March 2024

Frustration and a result.

Gallery visit - Julian Hooper Talking Pit

  • 7 March 2024

at Ivan Anthony Gallery

Field Trip Feb 24

  • 22 February 2024

Hauraki Plains

Artist: James Faure Walker

  • 22 February 2024

Watercolours: Painting with Light exhibition statement

Geoff Park 'Theatre Country - Essays on landscape and whenua'

  • 22 February 2024

Chapter 12 - 'Swamps which might doubtless easily be drained.'

Q & A CONSIDERATIONS

  • 12 February 2024

Looking closely at what you currently make as an artist.

Paint + Collagist Jo Dalgety - Meet the Artist

  • 5 June 2023

Jo Dalgety's beautiful mixed media work explores the markers that people leave within the landscape..

Artist Jo Dalgety: Why Do You Seek After It

  • 1 February 2023

Jo Dalgety is a landscape painter and collagist with her collection on display at Newmarket's Railway Street Gallery + Studios.

Hiatus proves too much for Pied Beauty

  • 28 December 2018

Jo Dalgety undertook a self-imposed, three month hiatus of art making.

Pocket Edition: small works for large walls 2016

  • 21 November 2016

Jo Dalgety is a landscape painter and the ten small works she exhibited in 'Pocket Edition' in 2015 were broody, dark and emotionally raw.

Pocket Edition: Small works for large walls

  • 15 July 2015

Jo Dalgety's paintings are a painterly collision between abstract expressionist, minimalism and the natural world.

The Collector's Collection: Warwick Henderson's Feedback

  • 26 October 2014

Dalgety has achieved this admirably with subtle washes of ultramarine, cobalt blue and sap green.

paperwork

  • 24 February 2013

The most outstanding ones are by Jo Dalgety...

Anima Locus

  • 7 March 2010

Jo Dalgety adds a soft, misty sense of spirituality to her rich landscape paintings...

Our Amy's art is uncovered

  • 25 February 2010

Dalgety uses more traditional oils and watercolours, layering bright colours which glow through the earthy hues.

Anima Locus, Jane Ruck-Doyle

  • 1 February 2010

Jo employs the traditional media of oil paint and watercolour ...